<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8268502450452988714</id><updated>2012-02-16T06:45:06.694-08:00</updated><title type='text'>Seminario Metodológico</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://jou.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8268502450452988714/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://jou.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Jacqueline Ortiz</name><uri>http://www.blogger.com/profile/15032377438965635746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8268502450452988714.post-2307732342205763678</id><published>2011-09-09T07:50:00.000-07:00</published><updated>2011-09-09T07:52:57.371-07:00</updated><title type='text'>Estado del Arte: Producción en Medios "Video"</title><content type='html'>&lt;span class="Apple-style-span" style="background-color: #090518; font-family: Verdana, Geneva, sans-serif; line-height: 16px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoListParagraphCxSpFirst" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="color: lime;"&gt;1.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="color: lime; line-height: 15px;"&gt;Martínez Castillo, Giovanni. Videografía. Introducción al lenguaje audiovisual.2000.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;2.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Tostado Span, Verónica. Manual de la producción de video: un enfoque integral.1999&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;3.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;I Barrous, Thomas D. Producción de video: disciplinas y técnicas. 2003&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;4.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Utz, Peter. Manual moderno de equipos de video: grabación, filmación, edición y video. 1992&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;5.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Grob, Bernad. Televisión practica y sistemas de video.1990&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;6.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Lenk, John D. Lenk manual de video: operación y localización de fallas.1995&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;7.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Matthewson, David. Video.1983&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;8.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Oliver Gil, José. Comprensión de imagen y video.2001&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;9.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;D´Victoria, Raúl. Producción en televisión; procesos y elementos que integran la producción en televisión.2002&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;10.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Quijada Soto, Miguel Ángel. La televisión análisis y practica de la producción de programas.1986&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;11.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Zettl, Herbert. Manual de producción en televisión.2000&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;12.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Vilches, Lorenzo. Lectura de la imagen, prensa, cine, televisión.1983&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;13.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Hillard, Robert L. Guionismo para radio, televisión y nuevos medios.2000&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;14.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Maza Pérez, Maximiliano. Guion para medios audiovisuales, cine, radio y televisión.1989&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;15.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Cebran Herreros, Mariano. Introducción a la lengua de la televisión; una perspectiva semiótica. 1978&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;16.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;I. Cessar Rendón, Alejandro. Televisión y lenguaje audiovisual. Octubre 2007&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;17.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Fernández Diez, Federico, Martínez Abadía, José.&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 15px;"&gt;La dirección de producción para cine y televisión. 1994&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;18.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Bravo, Raymond. Producción y dirección de televisión. 1993&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime; font-size: x-small;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;19.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;Rincón, Omar. Televisión, video y subjetividad. 2003&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoListParagraphCxSpMiddle" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 0pt; margin-left: 36pt; margin-right: 0cm; margin-top: 0cm; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify; text-indent: -18pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: lime;"&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;20.&lt;span style="font-style: normal; font-variant: normal; line-height: normal;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="ES" style="line-height: 15px;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Francesco Cesatti, Federico Di Chio. Análisis de la televisión: instrumentos, métodos y prácticas de investigación. 1999&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: xx-small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8268502450452988714-2307732342205763678?l=jou.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://jou.blogspot.com/feeds/2307732342205763678/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://jou.blogspot.com/2011/09/estado-del-arte-en-el-area-de.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8268502450452988714/posts/default/2307732342205763678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8268502450452988714/posts/default/2307732342205763678'/><link rel='alternate' type='text/html' href='http://jou.blogspot.com/2011/09/estado-del-arte-en-el-area-de.html' title='Estado del Arte: Producción en Medios &quot;Video&quot;'/><author><name>Jacqueline Ortiz</name><uri>http://www.blogger.com/profile/15032377438965635746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
